\u3010Description\u3011<\/strong><\/span><\/p>\n \u00a0This blade was signed by Awataguchi Omi no Kami Tadatsuna (\u7c9f\u7530\u53e3\u8fd1\u6c5f\u5b88\u5fe0\u7db1). The maker\u2019s name Tadatsuna lasted a few generations, and we assume it was forged by the second-gen, judging from the characteristic of the signature on the tang. The second-gen Tadatsuna was active in the early Edo period (Late 17th century), and he is one of Osaka\u2019s most skilled and popular swordsmiths in the early Edo period, following Tsuda Sukehiro and Inoue Shinkai. These three sword makers are called Sanketsu of Osaka Shinto.<\/span><\/p>\n \u00a0The second-gen Tadatsuna was born in 1644 as the first son of the first-gen Tadatsuna, who called himself the descendant of Awataguchi Kunitsuna, a famous swordsmith in the early Kamakura period. His father was born in Hyogo prefecture and forged swords in Ushiroyama castle in Mie prefecture. Eventually, the first-gen Tadatsuna moved to Osaka. The second-gen Tadatsuna\u2019s real name is Asai Mandayu. The swordsmith\u2019s name Tadatsuna lasted three generations, and the second-gen is said to have been the most famous and skilled one. And he was not only excellent at forging swords with different kinds of tempering lines (Hamon) but also excellent at inscribing sculptures on his work.<\/span><\/p>\n \u00a0The second-gen Tadatsuna first signed as Tadakuni (\u5fe0\u56fd). According to his remaining work, he started to forge swords in 1672 and kept creating his blades until he was about 80 years old (1716). He received the honorable title of Omi no Kami during Enpo era (1673-1680). He started to sign Ikkanshi Tadatsuna after the second year of Genroku era (1689).<\/span> \u00a0One of Tadatsuna\u2019s works is designated as Important Cultural Property of Japan. His swords are Ryuwazamono and Shinto Jyojyo Saku (Highly ranked swords among Japanese sword experts).<\/span><\/p>\n \u00a0There is one interesting historical incident related to the work of the second-gen Tadatsuna. It was March 24th in the 4th year of Tenmei (1784). Sano Zenzaemon, A direct retainer of Shogun, attacked a son of Tanuma Okitsugu, who was the chief minister of the Edo government. Sano used a wakizashi signed by the second-gen Tadatsuna. The son was eventually died, and Sano was ordered to do Seppuku for his misconduct. Interestingly, since this incident happened, the price of rice decreased dramatically after the sharp rise, which suffered many people. And, people started to worship Tadatsuna\u2019s swords as Yonaoshi Daimyojin, a Great God that makes the world a better place. The Tadatsuna\u2019s popularity skyrocketed, and this incident is much talked about when you learn about the work of Tadatsuna. It is said that only noble high-class Samurai could afford to buy a sword forged by the Tadatsuna during the Edo period.<\/span><\/p>\n Osaka Shinto<\/strong><\/span><\/p>\n \u00a0The blades forged by Tadatsuna are categorized as Osaka Shinto. Shinto is Japanese Sword terminology that refers to the swords forged during 1596-1781. The blades made in the Osaka area during this period are called Osaka Shinto. There are many famous swordsmiths in this Osaka Shinto era. After Hideyoshi Toyotomi built Osaka castle, Osaka city flourished as a castle town and became the business center. Many swordsmiths moved to Osaka to look for better opportunities. They not only forged swords for those Samurai who lived in Osaka but also for feudal lords nationwide. Ikanshi Tadatsuna (Awataguchi Omi no Kami Tadatsuna), Inoue Shinkai, and Tsuda Sukehiro are the most famous among many swordsmiths.<\/span><\/p>\n \u00a0One of the most notable characteristics of Osaka Shinto is its beauty in Jigane. Jigane is a visible steel surface pattern created by folding and hammering during the forging process), which made it possible by the location of Osaka. Osaka had close access to the Tamahagane (special carbon steel to make Japanese swords) production sites. The swordsmiths residing in Osaka were able to get high-quality carbon steel from these sites.<\/span><\/p>\n Horimono (Engraving)<\/strong><\/p>\n *Please keep in mind that there are a couple of Kitae Kizu on this blade. If you like to know the detailed condition, please feel free to contact us.<\/strong><\/span><\/em><\/p>\n \u3010Blade\u3011<\/span><\/strong> <\/p>\n Hamon<\/strong><\/span>\uff1a Kissaki<\/strong>: <\/span>Kissaki is the tip\u00a0of the Japanese sword.<\/strong><\/span><\/p>\n <\/p>\n Nakago<\/strong><\/span>\uff1aNakago is the tang of the Japanese sword.<\/strong><\/p>\n \u00a0Japanese swordsmiths left the black rust on the tang because it prevents red rust while the tang is in its handle. And the discoloration of the tang was created over time, and it is a great indicator for a Japanese sword specialist to estimate when the sword was forged.<\/span><\/p>\n Koshirae<\/strong>\uff1a<\/span>Koshirae is the mounting of the Japanese sword. There are several parts that consist of Koshirae such as Saya (Scabbard), Tsuka (Handle), Tsuba (Handguard).<\/span><\/strong><\/span><\/p>\n \u00a0<\/span> <\/p>\n Fuchi-Kashira<\/strong><\/span>\uff1aA pair of matching sword fittings that cover the upper and bottom parts of its sword hilt.<\/span><\/strong><\/p>\n \u00a0This Fuchi-Kashira depicts a battle scene in which an armored Samurai is drawing his bow amidst raging waves. One well-known theme often found in sword mountings is the Genpei Kassen (\u6e90\u5e73\u5408\u6226, Genpei War). Although we cannot determine with certainty whether this particular piece illustrates that specific conflict, we would like to introduce the Genpei War as a possible reference and share a famous chapter of Samurai history with you.<\/span><\/p>\n \u00a0The Genpei Kassen does not refer to a single battle, but rather a series of civil wars fought across Japan over a six-year period, from 1180 to 1185.<\/span> \u00a0The final decisive battle took place in 1185 at Dan-no-Ura (\u58c7\u30ce\u6d66), where the Minamoto clan achieved complete victory. This marked the downfall of the Taira, who had once dominated the imperial court, and it became one of the most iconic climaxes in Japanese Samurai history.<\/span><\/p>\n \u00a0<\/span> Tsuka and Menuki<\/strong><\/span>\uff1aTsuka is the handle of the Japanese sword and Menuki is its decoration.<\/b><\/span><\/p>\n *Please keep in mind that the Tsuka Maki (thread on the handle) is quite aged<\/strong><\/span><\/em>.<\/p>\n \u00a0The menuki seems to depict a\u00a0\u00a0Dragon (\u9f8d, Ryu) as a motif of this menuki. <\/span><\/p>\n \u00a0Initially, the dragon is an imaginary creature found in ancient Chinese traditions or myths. Furthermore, it is regarded as a symbolic beast of auspicious signs. Its body is likened to nine animals: antlers are deer, the head is a camel, eyes are demons, the neck is a snake, belly is Mizuchi (\u86df, mythical animal in Japan which looks like a snake and have a horn and four legs), scales are fish, claws are falcons, palms are tigers, and ears are cows. It was thought that the dragon would reign at the top of all animals because of its odd-looking appearance.<\/span><\/p>\n \u00a0In ancient China, the dragon pattern was used for emperors\u2019 clothing so that people strictly defined its shape or even the number of nails. On the other hand, the dragon pattern does not have detailed rules to represent classes in Japan. However, still, it maintains its meaning as the all-purpose auspicious pattern.<\/span><\/p>\n \u00a0Also, in Japan, there is a belief that worships dragon as a water god and is called Ryujin Shinkou (\u7adc\u795e\u4fe1\u4ef0). Since rice cultivation flourished in this country, water is always an essential resource. Therefore, the dragon motif has been familiar to Japanese people since a long time ago.\u00a0<\/span><\/p>\n <\/p>\n Tsuba and Habaki<\/strong><\/span>\uff1aTsuba is the handguard for the Japanese Sword and Habaki is the equipment to make the blade not touch its scabbard inside. It prevents the blade from getting rusty and chipped.\u00a0<\/span><\/strong><\/p>\n This tsuba features an openwork design depicting the Kariwarabi-te motif (\u96c1\u8568\u624b\u7d0b), a traditional Japanese pattern characterized by curved, fern-like hook shapes.<\/span> Kozuka<\/span>:\u00a0Kozuka is a small knife stored in Kozuka Hitsu(groove of the sheath of the Japanese sword).<\/b><\/strong><\/p>\n \u00a0This kozuka features a design of plum blossoms (\u6885, ume) accompanied by likely numerous clam shells (\u86e4, hamaguri), both of which are considered auspicious motifs in Japanese art.<\/span> \u00a0These motifs are also associated with Hinamatsuri (\u96db\u796d\u308a), Japan\u2019s traditional \u201cGirls\u2019 Day\u201d festival celebrated on March 3rd. During this festival, families pray for the health, happiness, and future prosperity of young girls, and plum blossoms and clam dishes are commonly featured as symbols of purity, protection, and good fortune.<\/span><\/p>\n Saya<\/strong><\/span>\uff1aSaya is the scabbard for the Japanese sword.\u00a0\u00a0<\/strong><\/span><\/p>\n \u00a0This Saya is covered with black lacquer. Due to its high waterproof effect, lacquer has been used since ancient times in Asia. The blade of a Japanese sword is made of iron, and moisture is the greatest enemy of iron. For the purpose of carrying the blade without degrading it, people devised a method of coating the scabbard with lacquer. To prevent not only moisture but also rain and snow from penetrating the inside of the scabbard, it was necessary to apply multiple layers of lacquer. The Nushi (\u5857\u5e2b, lacquerers) was born precisely because advanced techniques were required to handle the complicated processes.<\/span><\/p>\n Authentication Paper<\/strong><\/span>\uff1aNBTHK Tokubetsu Kicho Certificate for the blade (No. 305117)<\/strong><\/span><\/p>\n \u00a0NBTHK<\/a><\/span><\/span>, also known as Nihon Bijutsu Touken Hozon Kyokai (the Society for the Preservation of the Japan Art Sword), is one of the oldest Japanese sword appraising organizations in modern-day Japan. They authenticated the blade on March 1st in the 50th year of Showa (1975). They appraised it as Tokubetsu Kicho Touken, an old form of the certificate. The purchaser will receive this original certificate as well. We can also translate what is written into English and make a PDF file<\/span><\/a><\/span> for your record if you request.<\/span><\/p>\n <\/p>\n Registration Number\uff1a<\/span><\/span>Fukuoka 44224<\/span><\/strong><\/span><\/p>\n \u00a0The Board of Education in Fukuoka prefecture issued a registration paper for this sword. It is called Jyu Ho Token Rui Torokusho (\u9283\u7832\u5200\u5263\u985e\u767b\u9332\u8a3c). Bunkacho (The Agency for Cultural Affairs) acknowledges a Japanese sword with this paper as a work of art. \u3010About us\u3011<\/span><\/strong> \u3010Review\u3011<\/strong> \u3010Japanese Sword& Export Process<\/strong>\u3011<\/span> \u00a0Each Japanese sword is registered under the Agency for Cultural Affairs and the Board of Education in Japan. They issue a registration paper for each Japanese sword for its owner in Japan to legally possess it. The Japanese sword with its registration paper means it was traditionally hand-forged in Japan. \u00a0To legally export the sword from Japan to other countries, we will have to apply for its permit to the Agency for Cultural Affairs(Bunkacho) and return the original registration paper to the Board of Education. It normally takes around 2-4 weeks<\/strong> to receive this permit after submitting required documents. And we would like you to expect at least 1-1.5 months<\/strong> for your order to arrive at your given address after you ordered. For more detailed info, please click here<\/span><\/span><\/a>.<\/span><\/p>\n \u00a0It is allowed for residents in Japan to own authentic Japanese swords without a special license as long as they come with registration papers. Please feel free to contact us if you are a resident of Japan, whether temporarily or permanently. We will also assist you when you leave Japan and need to obtain the export permit.<\/span><\/p>\n \u3010Payment Method\u3011<\/strong> *If the amount is above 1 million JPY, Stripe or wire transfer will be the only options for payment.<\/span><\/p>\n \u3010Shipping\u3011<\/strong><\/span> \u00a0We normally ship by EMS <\/strong>(Express Mail Service) provided by Japan Post. We will send you a tracking number for your order as soon as we hand it to the post office. We will put 100 % insurance on the shipping document without any extra charge. Based on the total amount, there might be a duty tax or other fee for you to pay, depending on the countries. We use package cushioning to protect the item and put it in a PVC pipe, which is one of the most secure packages because of its durability.<\/span><\/p>\n \u00a0It will normally takes 5-14 days for the item to arrive at your given address after we dispatch it. Time of delivery is estimated as accurately as possible by the carrier but does not take into account any delays beyond our control such as by inclement weather, post office holiday seasons.<\/span><\/p>\n * If you live in Australia and like to purchase an authentic Japanese sword, please click<\/span> here<\/span><\/span> <\/a>to know the detail.<\/span><\/strong><\/p>\n \u3010How to make sure the condition\u3011<\/strong><\/span> \u3010How To Contact Us\u3011<\/strong><\/span> \u3010The Art of Nihonto(Japanese Sword)<\/strong>\u3011<\/span> \u3010A Guide to Japanese Sword Maintenance<\/strong>\u3011<\/span>![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2021\/08\/settsu_OCMOJ_0802.jpg\")
\u00a0![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2021\/07\/settsu_JMAP_0709.jpg\")
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\nDuring the early Genroku era, he used \u7e04 letter instead of \u7db1 when signing his creation, but after the mid-Genroku era, he used \u7db1 to sign his blades. Since this blade was signed as \u5fe0\u7e04, we can assume it was forged around the late 17th century. Genraoku period lasted 1688-1704. He kept forging swords for about 50 years in his career.<\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/11\/hori-2.jpg-\u306e\u30b3\u30d4\u30fc-2-scaled.jpg\")
![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/11\/hori2-2.jpg-\u306e\u30b3\u30d4\u30fc-2-scaled.jpg\")
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\nCutting Edge Length (Nagasa)<\/span><\/strong>\uff1a45.0 cm (17.7 inches)<\/strong><\/span>
\nCurvature (Sori)<\/span><\/strong>\uff1a1.3 cm (0.51 inches) <\/strong>\u00a0<\/strong><\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/toushin-2.jpg-\u306e\u30b3\u30d4\u30fc-2-scaled.jpg\")
\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/toushin_saya-2.jpg-\u306e\u30b3\u30d4\u30fc-2-scaled.jpg\")
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\nThe crystalline structure which forms along the cutting edge of a blade as a result of the hardening process.<\/strong><\/span>
\nJimon(Jihada)<\/span><\/strong>\uff1a
\nvisible steel surface pattern created by folding and hammering during forging process<\/strong><\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/katana-3.jpg-\u306e\u30b3\u30d4\u30fc-3.jpg\")
![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/katana2-3.jpg-\u306e\u30b3\u30d4\u30fc-3.jpg\")
\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/hamon-2.jpg-\u306e\u30b3\u30d4\u30fc-2-scaled.jpg\")
![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/hamon2-3.jpg-\u306e\u30b3\u30d4\u30fc-3-scaled.jpg\")
\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/hada-3.jpg-\u306e\u30b3\u30d4\u30fc-3-scaled.jpg\")
![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/hada2-2.jpg-\u306e\u30b3\u30d4\u30fc-2-scaled.jpg\")
<\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/haskai-1.jpg-\u306e\u30b3\u30d4\u30fc-1-scaled.jpg\")
<\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/nakago-3.jpg-\u306e\u30b3\u30d4\u30fc-3-scaled.jpg\")
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It is also known as the Jish\u014d\u2013Juei no Ran (\u6cbb\u627f\u5bff\u6c38\u306e\u4e71). This conflict was fought between two powerful clans: the Minamoto (\u6e90, Genji) and the Taira (\u5e73, Heike).<\/span>
It began when Prince Mochihito (\u4ee5\u4ec1\u738b) called upon the Minamoto warriors to overthrow the Taira clan. Although Mochihito was defeated and died in 1180, the Minamoto forces continued fighting and gradually gained the upper hand, defeating the Taira in numerous engagements.<\/span><\/p>\n
\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/tuka3-1.jpg-\u306e\u30b3\u30d4\u30fc-1-scaled.jpg\")
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\u00a0 \u00a0 ![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/tuka2-1.jpg-\u306e\u30b3\u30d4\u30fc-1-scaled.jpg\")
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\u00a0The motif is inspired by the elegant flight and formations of wild geese, abstracted into a flowing, decorative form. It has been used in Japanese metalwork since ancient times and symbolizes grace, seasonal beauty, and the harmonious movement found in nature.<\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/tuba-1.jpg-\u306e\u30b3\u30d4\u30fc-1-scaled.jpg\")
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\n\u00a0Plum blossoms symbolize resilience and renewal, as they bloom at the end of winter and herald the coming of spring. Clam shells, especially the paired \u201chamaguri\u201d clams, represent harmony, good fortune, and the idea of two matching halves forming a perfect union.<\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/kozuka2-1.jpg-\u306e\u30b3\u30d4\u30fc-1-scaled.jpg\")
\u00a0\u00a0![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/kozuka-1.jpg-\u306e\u30b3\u30d4\u30fc-1-scaled.jpg\")
<\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/saya-1.jpg-\u306e\u30b3\u30d4\u30fc-1-scaled.jpg\")
<\/p>\n![](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/kantei-2.jpg-\u306e\u30b3\u30d4\u30fc-2-scaled.jpg\")
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\nThe sword needs to be traditionally hand-forged and made of Tamahagane carbon steel to be registered in the system. With this paper, its owner in Japan can legally own an authentic Japanese sword. Based on this registration number, we will apply for its export permit.
\nThis paper will need to be returned to the board of education when the sword is being shipped abroad, but you can receive a copy of it. An English translation of this registration paper is available on request.<\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2025\/12\/touroku-1.jpg-\u306e\u30b3\u30d4\u30fc-1-scaled.jpg\")
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\n\u00a0Samurai Museum is located in Tokyo, Japan, exhibiting antique artifacts related to the Samurai history. Samurai Museum Shop is the place for those who are interested in Japanese culture and craftsmanship. We deal with antique Samurai swords\/armor, traditional crafts made in Japan and so on. <\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2020\/07\/5623eabfdde4147c0ecdc704028c6ecd.jpg\")
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\n\u00a0Here is one of the reviews we received from a customer who purchased an authentic Japanese sword from us.<\/span> For more reviews, please click here.<\/span><\/strong><\/span><\/a>
\n\u201cMy experience overall with the whole process was wonderful. I had many questions about the history and process to purchase these treasures. All my questions were answered very timely and complete. The staff is very knowledgeable and very well versed if any questions do arise.\u201d<\/span><\/p>\n
\n\u00a0The Japanese swords we deal with are hand-forged edged swords made in Japan. It was made from the traditional carbon steel called TAMAHAGANE(\u7389\u92fc)<\/span><\/a>. Samurai Museum is familiar with the proper legal procedure for an antique\/ authentic Japanese sword to be exported from Japan. We have sent more than 1300 Japanese swords for the past few years (\uff5e2026) to amazing owners who appreciate its historical value.<\/span><\/p>\n
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\nWe accept payment through Stripe <\/strong>(Credit card), PayPal<\/strong>, Apple Pay or ChromePay, all of which are secure payment methods. Also, you don’t need to make an account on Stripe for the checkout. If you prefer other payment method, please contact us. After confirming your payment, we will apply for an export permit. You may either pay in JPY, USD, AUD, CAD,EUR CHF <\/strong>or GBP<\/strong>. The price is set in Japanese Yen. Prices in other currencies are automatically calculated based on the latest exchange rate.\u00a0<\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2020\/12\/SSL_payment_1222-01-1.jpg\")
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\n\u00a0We have shipped authentic Japanese swords to the USA, Canada, Mexico, Germany, France, Hong Kong and<\/span> Australia<\/span><\/a><\/strong><\/span>. If you don’t live in these countries and like to order, please contact us first before making a purchase. We offer Free International Shipping<\/strong><\/span> as long as we can send antique Japanese swords by EMS.\u00a0<\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2020\/10\/48026a8af882b8fafae180fa48fbd5f4.jpg\")
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\n\u00a0Please keep in mind that what you are going to purchase is an antique item. We uploaded high resolution photos for you to check its condition thoroughly. If you like to see more photos with different angles, please feel free to contact us. We will be happy to send them to you so that you can make informed decision. It is essential for us to know that you are happy with your choice of a sword. and we are prepared to use the best of our ability to serve you.<\/span><\/p>\n
\n\u00a0Please contact us through email, Facebook Messenger or Live Chat if you have any questions. You can find each icon on the right side of the website. Please click one of them to reach us. We will reply to you within 1-2 business days.<\/span><\/p>\n
\n\u00a0Samurai’s history is a profound, eloquent legacy of ancient Japanese warriors in which millions of people worldwide are being fascinated. If you like to find out the art of Nihonto,<\/span> please click here.<\/span><\/a><\/p>\n
\n\u00a0After acquiring an genuine Japanese sword, it is also important to know how to take good care of it. Here is the special video for you. Mr. Paul Martin, Japanese sword expert, shows you how to give proper maintenance to your sword. By mastering how to clean the Japanese sword, its aesthetic beauty will last forever.<\/span><\/p>\n