Antique Japanese Sword Wakizashi Signed by Yoshimichi <\/strong><\/span>with NBTHK Tokubestsu<\/span> Hozon<\/span> Certificate<\/strong><\/span><\/p>\n \u3010Description\u3011<\/strong><\/span><\/p>\n \u00a0This blade was signed by\u00a0<\/span>Tanba no Kami Yoshimichi (\u4e39\u6ce2\u5b88\u5409\u9053), whose real name was Mishina Kinuemon (\u4e09\u54c1\u91d1\u53f3\u885b\u9580). He was active in sword-forging during the early Edo period (Mid-Late 17th century ) in Osaka. He belonged to Osaka Mishina school, one of the most prestigious schools back then.<\/span><\/p>\n \u00a0The swordsmith Yoshimichi prospered in Osaka and Kyoto for generations during the Edo period. And to distinguish the two Yoshimichi, The one in Osaka is called Osaka Yoshimichi, and the other one is called Kyo Yoshimichi. And, this blade was forged by the first-gen Osaka Yoshimichi.<\/span><\/p>\n \u00a0The first-gen Osaka Yoshimichi was born in the third year of the Keicho era (1598) as the second son of the first-gen Kyo Tanba no Kami Yoshimichi in Kyoto. His father was one of the most skilled sword makers in Kyoto city, and Yoshimichi learned sword-forging skills from him first. Later, he received the honorable official title Tanba no Kami and moved to Osaka city during the Seiho era (1644-1648). He was especially active in sword-forging during the Jo-Ou era (1652-1655). He became an independent swordsmith in Osaka city and made the fame of Mishina school spread in Osaka.<\/span><\/p>\n \u00a0His father developed a unique Hamon pattern (tempering line) called Sudareba (\u7c3e\u5203). Sudare means traditional screens or blinds in Japanese. The Hamon pattern he invented resembles its appearance to Sudare. This blade has a beautiful Sudareba Hamon. This special characteristic was passed down to the first-gen Osaka Yoshimichi.<\/span><\/p>\n Mishina School<\/strong><\/span> Osaka Shinto<\/strong><\/span> \u00a0One of the most notable characteristics of Osaka Shinto is its beauty in Jigane. Jigane is a visible steel surface pattern created by folding and hammering during the forging process, which made it possible by the location of Osaka. Osaka had close access to the Tamahagane (special carbon steel to make Japanese swords) production sites. The swordsmiths residing in Osaka were able to get high-quality carbon steel from these sites.<\/span><\/p>\n \u00a0This blade is appraised as a Tokubetsu Hozon Token <\/strong>(\u7279\u5225\u4fdd\u5b58\u5200\u5263) issued by NBTHK (Nihon Bijutsu Touken Hozon Kyokai:\u65e5\u672c\u7f8e\u8853\u5200\u5263\u4fdd\u5b58\u5354\u4f1a). This authentication paper was only given to authentic Japanese swords, especially well preserved and high quality with artistic value.\u00a0<\/span><\/p>\n *Please keep in mind that there is a small Kitae Kizu on the blade. If you would like to know the detailed condition, please feel free to contact us.<\/span><\/em><\/p>\n <\/p>\n \u3010Blade\u3011<\/span><\/strong> <\/p>\n Hamon<\/strong><\/span>\uff1a Kissaki<\/strong>\uff1a<\/span><\/span>Kissaki is the tip\u00a0of the Japanese sword.<\/strong><\/span><\/p>\n <\/p>\n Nakago<\/strong><\/span>\uff1aNakago is the tang of the Japanese sword.<\/strong><\/p>\n \u00a0Japanese swordsmiths left the black rust on the tang because it prevents red rust while the tang is in its handle. And the discoloration of the tang was created over time, and it is a great indicator for a Japanese sword specialist to estimate when the sword was forged.<\/span><\/p>\n <\/p>\n Koshirae<\/strong>\uff1a<\/span>Koshirae is the mounting of the Japanese sword. There are several parts that consist of Koshirae such as Saya (Scabbard), Tsuka (Handle), Tsuba (Handguard).<\/span><\/strong><\/span><\/p>\n <\/p>\n Fuchi-Kashira<\/strong><\/span>\uff1aA pair of matching sword fittings that cover the upper and bottom parts of its sword hilt.<\/span><\/strong><\/p>\n \u00a0We assume some people on a boat in the sea or river with pine trees (\u677e, Matsu) are depicted on this Fuchi. These people might be the Toh Jinbutsu (\u5510\u4eba\u7269). Toh (\u5510, 618-907) is the Chinese dynasty name, and Jinbustu (\u4eba\u7269) means person\/people.\u00a0In a broad sense, it refers to foreigners. Certainly, their costumes have an exotic atmosphere.\u00a0Pine trees are the plants which often grow near the seashore. As pine trees keep their green color throughout the years by withstanding severe heat and cold, people thought this plant pattern represents eternal youth. Furthermore, its color is called Tokiwa-Iro (\u5e38\u76e4\u8272, evergreen trees\u2019 dark green color with brown), and pine trees have another name \u201cTokiwa-Gi (\u5e38\u76e4\u6728).\u201d Tokiwa means immutability, so Tokiwa-Iro is a color that praises green with a wish for longevity and prosperity. It is said this color was appreciated, especially in the Edo period, as a good-luck color. The pine tree design gives us an elegant and noble impression; it might be another reason that people love this motif.<\/span><\/p>\n \u00a0Also, a man with a tiger (\u864e, Tora) seems to be depicted on the Kashira. The tiger is a brave animal. A theory says people considered the tiger pattern would protect people from evil spirits. Therefore, its pattern has been treated as a talisman. The tiger design has also been regarded as the symbol of life activity when \u201ctiger\u201d is written by a Japanese Kanji character (\u6f22\u5b57, a kind of Japanese letter) based on its meaning. It is said people wished boys\u2019 healthy growth by using the tiger pattern.\u00a0<\/span><\/p>\n \u00a0Also, the surface of this Fuchi Kashira is decorated with the Nanako-Ji (\u9b5a\u5b50\u5730) technique. This process makes a uniform minimal protrusions pattern by hitting the Nanako-Ji Tagane (\u9b5a\u5b50\u5730\u93e8, a chisel for this technique) on a metal surface. This decorative technique is often seen on sword mountings.<\/span><\/p>\n <\/p>\n Tsuka and Menuki<\/strong><\/span>\uff1aTsuka is the handle of the Japanese sword and Menuki is its decoration.<\/b><\/span><\/p>\n \u00a0We assume the motif of this Menuki might be the members of the Shichifukujin (\u4e03\u798f\u795e, the Seven Gods of Good Fortune). Each of them bestows various blessings. One might be the Bishamonten (\u6bd8\u6c99\u9580\u5929, Vaishuravana), who is the god of treasure and war. This god\u00a0 was worshipped by miners and blacksmiths so that centipedes were regarded as the god of mines. The other might be the Daikokuten (\u5927\u9ed2\u5929), who is primarily known as the god of bountiful harvests. It is believed this god bestows contentment of heart, contentment of savings, and contentment of life on those who believe. He wears a hood, holds a large bag on his shoulder, and brings a Uchide-no Koduchi (\u6253\u3061\u51fa\u306e\u5c0f\u69cc, mallet of good luck), which is famous in folk tales, in his hand. It also features drooping earlobes and a wide smile on its face.<\/span><\/p>\n <\/p>\n <\/p>\n Tsuba and Habaki<\/strong><\/span>\uff1aTsuba is the handguard for the Japanese Sword and Habaki is the equipment to make the blade not touch its scabbard inside. It prevents the blade from getting rusty and chipped.\u00a0<\/span><\/strong><\/p>\n \u00a0The motifs engraved on this Tsuba seem to be tools used in the battlefields, such as Muchi (\u97ad, whip) and Saihai (\u91c7\u914d, a tool made by attaching strips of cloth or paper to the end of a stick so that it could be seen from a distance). <\/span>The whip called Muchi was used to direct the advance or retreat of a battle. Unlike the whip used for riding, the whip used in battle is a stick-shaped tool similar to a bamboo sword.<\/span><\/p>\n \u00a0The Saihai (\u91c7\u914d) is a tool made by attaching strips of cloth or paper to the end of a stick so that it could be seen from a distance. It began to be used around the end of the Muromachi period (\u5ba4\u753a\u6642\u4ee3, 1336-1573) and is also written as \u91c7\u5e63, \u518d\u62dd, or \u91c7 in Japanese. This item initially comes from the Sai (\u65c4), a tool used to call a tamed falcon, and its name influenced the name of Saihai. Those who could use a Saihai were limited to the commander of the Ashigaru (\u8db3\u8efd, foot soldier) or above or Samurai warriors who had notable military exploits. Being allowed to possess this tool meant commanding a unit, and it was a convenient tool. At the same time, it also had a strong meaning of showing the rank and authority of a military commander. In an actual battle, the movement of the troops was controlled in detail by swinging the Saihai, such as using it as a signal to advance. The signal from this tool differs depending on each military commander, and there is no set pattern. Therefore, it was necessary for the soldiers who received the order to understand the content of the signal perfectly. A theory says that warlords chose their Saihais according to their preferences in the Warring States period. However, in the Edo period, when battles were abolished, this tool became more meaningful than ever as a symbol of authority. The Tokugawa (\u5fb3\u5ddd) family, who ruled the Edo Shogunate, restricted the ownership of these tools based on social status. Saihais were generally made of paper or yak tail hair. Since the Saihai attached to this armor is made of paper, it is the one which was often used on battlefields. <\/span><\/p>\n <\/p>\n <\/p>\n <\/p>\n Saya<\/strong><\/span>\uff1aSaya is the scabbard for the Japanese sword.\u00a0<\/strong><\/span>\u00a0<\/strong><\/span><\/p>\n \u00a0This scabbard is decorated with a type of lacquer technique, which produces a unique pattern of black and red patterns.<\/span><\/p>\n <\/p>\n Authentication Paper<\/strong><\/span>\uff1aNBTHK Tokubetsu Hozon Certificate for the blade (No. 1016151)<\/strong><\/span><\/p>\n \u00a0NBTHK<\/span><\/a>, also known as Nihon Bijutsu Touken Hozon Kyokai (the Society for the Preservation of the Japan Art Sword), is one of the oldest Japanese sword appraising organizations in modern-day Japan. They authenticated the blade on August 27th in the 3rd year of Reiwa (2021). They appraised it as Tokubetsu Hozon Touken, the blade especially worth preserving for Japanese society. The purchaser will receive this original certificate as well. We can also translate what is written into English and make a PDF file<\/span><\/a> for your record if you request.<\/span><\/p>\n Registration Number : <\/span>Gifu 85359<\/span><\/span><\/strong><\/span><\/p>\n \u00a0The Board of Education in Gifu prefecture issued a registration paper for this sword. It is called Jyu Hou Token Rui Torokusho (\u9283\u7832\u5200\u5263\u985e\u767b\u9332\u8a3c). Bunkacho (The Agency for Cultural Affairs) acknowledges a Japanese sword with this paper as a work of art. \u3010About us\u3011<\/span><\/strong> \u3010Japanese Sword& Export Process<\/strong>\u3011<\/span> \u00a0Each Japanese sword is registered under the Agency for Cultural Affairs and the Board of Education in Japan. They issue a registration paper for each Japanese sword for its owner in Japan to legally possess it. The Japanese sword with its registration paper means it was traditionally hand-forged in Japan. \u00a0To legally export the sword from Japan to other countries, we will have to apply for its permit to the Agency for Cultural Affairs(Bunkacho) and return the original registration paper to the Board of Education. It normally takes around 2-4 weeks<\/strong> to receive this permit after submitting required documents. And we would like you to expect at least 1-1.5 months<\/strong> for your order to arrive at your given address after you ordered. For more detailed info, please click here<\/span><\/span><\/a>.<\/span><\/p>\n \u00a0It is allo<\/span>wed for residents in Japan to own authentic Japanese swords without a special license as long as they come with registration papers. Please feel free to contact us if you are a resident of Japan, whether temporarily or permanently. We will also assist you when you leave Japan and need to obtain the export permit.<\/p>\n \u3010Payment Method\u3011<\/strong> * If the amount is above 1 million JPY, Stripe or wire transfer will be the only options for payment.<\/p>\n \u3010Shipping\u3011<\/strong><\/span> \u00a0We normally ship by EMS<\/strong>(Express Mail Service) provided by Japan Post. <\/span>We will send you a tracking number for your order as soon as we hand it to the post office. We will put 100 % insurance on the shipping document without any extra charge. Based on the total amount, there might be a duty tax or other fee for you to pay, depending on the countries. We use package cushioning to protect the item and put it in a PVC pipe, which is one of the most secure packages because of its durability.<\/span><\/p>\n \u00a0It will normally takes 5-14 days for the item to arrive at your given address after we dispatch it. Time of delivery is estimated as accurately as possible by the carrier but does not take into account any delays beyond our control such as by inclement weather, post office holiday seasons.<\/span><\/p>\n * If you live in Australia and like to purchase an authentic Japanese sword, please click here<\/span><\/span> <\/a>to know the detail.<\/strong><\/p>\n * If you live in the UK and like to purchase an authentic Japanese sword, please contact us first and click here<\/span><\/span> <\/a>to know the detail.<\/strong><\/p>\n \u3010Review\u3011<\/strong> \u3010How to make sure the condition\u3011<\/strong><\/span> \u3010How To Contact Us\u3011<\/strong> \u3010The Art of Nihonto (Japanese Sword)<\/strong>\u3011 \u3010A Guide to Japanese Sword Maintenance<\/strong>\u3011<\/span>![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2021\/08\/settsu_OCMOJ_0802.jpg\")
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\n\u00a0The first-gen Kyo Tanba no Kami Yoshimichi belonged to Kyoto Mishina school and was one of the sons of the Mishina school\u2019s founder. Mishina school was created by the first-gen Mutsu no Kami Omichi (\u9678\u5965\u5b88\u5927\u9053), also known as Kanemichi. It is said that initially, Kanemichi was from Mino province, exclusively forging blades for Shingen Takeda, a famous feudal lord. Later on, he moved to Kyoto by bringing his four sons and founded his school in Kyoto. Five sons were Iga no Kami Kinmichi (\u4f0a\u8cc0\u5b88\u91d1\u9053)\u3001Izumi no Kami Rai Kinmichi (\u548c\u6cc9\u5b88\u6765\u91d1\u9053), Tanba no Kami Yoshimichi (\u4e39\u6ce2\u5b88\u5409\u9053)<\/strong> and Echu no kami Masatoshi (\u8d8a\u4e2d\u5b88\u6b63\u4fca). His sons were known as Kyoto Gokaji (\u4eac\u90fd\u4e94\u935b\u51b6), prestigious swordsmiths forging in Kyoto in the early Edo period.\u00a0<\/span><\/p>\n
\n\u00a0The blades forged by Tanba no Kami Yoshimichi are categorized as Osaka Shinto. Shinto is Japanese Sword terminology that refers to the swords forged during 1596-1781. The blades made in the Osaka area during this period are called Osaka Shinto. There are many famous swordsmiths in this Osaka Shinto era. After Hideyoshi Toyotomi built Osaka castle, Osaka city flourished as a castle town and became the business center. Many swordsmiths moved to Osaka to look for better opportunities. They not only forged swords for those Samurai who lived in Osaka but also for feudal lords nationwide.<\/span><\/p>\n
\nCutting Edge Length(Nagasa)<\/span><\/strong>\uff1a51.1<\/strong>\u00a0cm (20.1 <\/strong>inches)<\/strong>
\n<\/span>Curvature(Sori)<\/span><\/strong>\uff1a0.9 cm (0.35 inches)\u00a0<\/strong><\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2024\/11\/toushin2_-1-scaled.jpg\")
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\nThe crystalline structure which forms along the cutting edge of a blade as a result of the hardening process<\/strong>
\nJimon(Jihada)<\/span><\/strong>\uff1a
\nvisible steel surface pattern created by folding and hammering during forging process<\/strong><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2024\/11\/e4115684b98b182ed14efaae360d87dc-1.jpg\")
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\nThe sword needs to be traditionally hand-forged and made of Tamahagane carbon steel to be registered in the system. With this paper, its owner in Japan can legally own an authentic Japanese sword. Based on this registration number, we will apply for its export permit.
\nThis paper will need to be returned to the board of education when the sword is being shipped abroad, but you can receive a copy of it. An English translation of this registration paper is available on request.<\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2024\/11\/4e7d45c31a5ad1489d4d278276eb356a-1-scaled.jpg\")
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\n\u00a0Samurai Museum is located in Tokyo, Japan, exhibiting antique artifacts related to the Samurai history. Samurai Museum Shop is the place for those who are interested in Japanese culture and craftsmanship. We deal with antique Samurai swords\/armor, traditional crafts made in Japan and so on. <\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2020\/07\/5623eabfdde4147c0ecdc704028c6ecd.jpg\")
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\n\u00a0The Japanese swords we deal with are hand-forged edged swords made in Japan. It was made from the traditional carbon steel called TAMAHAGANE(\u7389\u92fc)<\/span><\/a>. Samurai Museum is familiar with the proper legal procedure for an antique\/ authentic Japanese sword to be exported from Japan. We have sent more than 700 Japanese swords for the past few years (\uff5e2024) to amazing owners who appreciate its historical value.<\/span><\/p>\n
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\nWe accept payment through Stripe <\/strong>(Credit card), PayPal<\/strong>, Apple Pay or ChromePay, all of which are secure payment methods. Also, you don’t need to make an account on Stripe for the checkout. If you prefer other payment method, please contact us. After confirming your payment, we will apply for an export permit. You may either pay in JPY, USD, AUD, CAD,EUR CHF <\/strong>or GBP<\/strong>. The price is set in Japanese Yen. Prices in other currencies are automatically calculated based on the latest exchange rate.\u00a0<\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2020\/12\/SSL_payment_1222-01-1.jpg\")
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\n\u00a0We have shipped authentic Japanese swords to the USA, Canada, Mexico, Germany , Belgium, France, Finland, UK<\/a>, <\/span><\/span>Hong Kong, Australia<\/a><\/span><\/strong><\/span>. If you don’t live in these countries and like to order, please contact us first before making a purchase. We offer Free International Shipping<\/strong><\/span> as long as we can send antique Japanese swords by EMS.\u00a0<\/span><\/p>\n![\"\"](\"https:\/\/www.samuraimuseum.jp\/shop\/wp-content\/uploads\/2020\/10\/48026a8af882b8fafae180fa48fbd5f4.jpg\")
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\n\u00a0Here is o<\/span>ne of the reviews we received from a customer who purchased an authentic Japanese sword from us. For more reviews, please click here.<\/span><\/strong><\/span><\/a>
\n\u201cMy experience overall with the whole process was wonderful. I had many questions about the history and process to purchase these treasures. All my questions were answered very timely and complete. The staff is very knowledgeable and very well versed if any questions do arise.\u201d<\/span><\/p>\n
\n\u00a0Please keep in mind that what you are going to purchase is an antique item. We uploaded high resolution photos for you to check its condition thoroughly. If you like to see more photos with different angles, please feel free to contact us. We will be happy to send them to you so that you can make informed decision.<\/span> It is essential for us to know that you are happy with your choice of a sword. and we are prepared to use the best of our ability to serve you.<\/span><\/p>\n
\n\u00a0Please contact us through email, Facebook Messenger or Live Chat if you have any questions. You can find each icon on the right side of the w<\/span>ebsite. Please click one of them to reach us. We will reply to you within 1-2 business days.<\/p>\n
\n\u00a0Samurai’s history is a profound, eloquent legacy of ancient Japanese warriors in which millions of people worldwide are being fascinated. If y<\/span>ou like to find out the art of Nihonto, please click here.<\/span><\/a><\/p>\n
\n\u00a0After acquiring an genuine Japanese sword, it is also important to know how to take good care of it. Here is the special video for you. Mr. Paul Martin, Japanese sword expert, shows you how to give proper maintenance to your sword. By mastering how to clean the Japanese sword, its aesthetic beauty will last forever.<\/span><\/p>\n